People walk on the forecourt of Notre Dame’s Cathedral, on May 31st, 2020.
French officials are considering cleaning the inside surfaces of the cathedral with one of the newest technologies in art restoration: lasers. Chicago-based art restoration expert Bartosz Dajnowski invented the technique, which his company, GC Laser Systems, tested inside Notre Dame last month.
The technique uses light to weed out contamination without chemicals or mechanical abrasion, he says. Dajnowski’s lasers have cleaned the facade of the U.S. Supreme Court building and the lions in front of the New York Public Library.
After the big April 2019 fire at Notre Dame the organ was damaged but repairable. A nearly 30-metre-high scaffolding was erected in the summer to enable the organ’s removal.
The keyboard console was the first element to be lifted out in early August, which freed up space so that a work surface could be installed in front of the instrument. Over the past four months, thousands of metal and wooden pipes and box springs have been taken away in four waterproof containers and transported to a warehouse in the Parisian region. All that remains in the cathedral is the sideboard, some bellows and several pipes that are too fragile or difficult to remove and will therefore be cleaned on site.
The symphonic organ has been the voice of Notre Dame since 1733. Its 8,000 pipes divided into 115 stops make it France’s largest instrument in terms of register.
In order to get the Notre Dame restoration elements correct, no effort has been spared in locating the correct materials. In order to stabilize and restore the vault, experts must identify limestone with identical properties as the centuries-old blocks already intricately locked in place.
Geologist Lise Leroux studied the stone to find its origin, leading her to quarries beneath Paris, now commonly known as the Catacombs, where she has been able to match micro-fossils found there with the samples from the vaulting stones in the cathedral.
Christmas will not be cancelled at Notre Dame in Paris this year, but there are some changes.
The choir will sing on Christmas Eve as usual but with 20 singers, safely distanced, and an organ will be rented from a donor bank.
The conductor will be Henri Chalet, with soloists soprano Julie Fuchs and cellist Gautier Capuçon.
This is nothing to do with Notre Dame although Donald Trump might put in an offer to buy the cathedral and turn in into a hotel now he’s been defeated as US President.
Anyway, now the UK is leaving the EU, the calendar will be changed to “make everything better”, according to current UK Prime Minister, Boris Johnson.
It has been suggested that January and March will be cut to 30 days and the days added to February so it gets 30 days too.
The extra day every four years to keep the calendar in sync with the seasons will simply be called “leap day” and whilst some people thought it would be best to have it at New Year if needed, in the end a greater number thought it would be best to have it random at the whim of the Prime Minster. However it was absolute that no one could have a birthday on that day.
The UK is confident that if it changes the calendar then every other country will follow the lead and change in a few years too.
What could be better? Or have I got it wrong…
Scaffolding has been successfully removed from the roof of Paris’ Notre Dame more than a year after the historic cathedral caught fire, representing a critical step in its lengthy and arduous restoration process. On Tuesday, the cathedral celebrated, posting a photo taken from above the iconic building.
The spire of the Notre Dame collapsing on April 15, 2019
On Monday the 16th of November the BBC programme Storyville took a look back at the raging fire of Notre Dame on the 15th of April 2019.
Over its 90-minute course, this minute-by-minute Storyville documentary brings us a parade of tears, prayers, peril, gargoyles, French President Macron, stern faces lit by flickering flames, an emotional Monsignor, desperate decisions, giant bells, the stalwart mayor of Paris, and lots of battle metaphors. A film director would make much of the scene where a firefighter eventually emerges clutching the precious Crown. Oh no! That’s the replica!
One issue on which everyone involved in the restoration project agrees is that Notre Dame is such an important part of French history, culture and religion it will be saved, no matter how much time it takes, or how much money it costs. It is central to French identity, and every effort will be made to save what can be saved, and reconstruct those parts that were destroyed by the fire.
The French court of auditors has published a report insisting that the donations received to help rebuild Paris’s Notre Dame cathedral must not be used to fund the public body that is overseeing the restoration, but rather to directly fund the cathedral’s reconstruction.
With precision and boundless energy, a team of carpenters used medieval techniques to raise up — by hand — a 3-ton oak truss Saturday in front of Notre Dame Cathedral, a replica of the wooden structures that were consumed in the landmark’s devastating April 2019 fire that also toppled its spire.
The truss mounted for the weekend display is a replica of truss No. 7, more advanced that the first six trusses, which were “more primitive,” said Florian Carpentier, site manager for the team from Carpenters Without Borders team that felled the trees and used axes to cut the logs for the wooden frame. With rope cables and a rustic pulley system, the carpenters slowly pulled the truss they built in July from the ground where it was laid out.